As the editor of the final episode of a first season, I was tasked with presenting a coherent episode that stylistically and aesthetically matched the previous episodes, which were much further along in editorial when I got started. On a recent project editing the final episode in a television series, I used the Baselight plugin from an early stage in my edit until picture lock. During my time within the Baselight plugin, I mainly tested out applying base color correction for individual shots, applying LUTs to a timeline, and then customizing color per shot, custom curves, and temporal noise reduction/ degrain for dark, noisy shots. With a complete color grading suite, Baselight Editions V5 is a dynamic tool to use within Media Composer, allowing you to ditch the roundtrip for your color grade. Filmlight recently released Baselight Editions V5 for Avid Media Composer: a powerful color tool in an AVX plugin.
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